Quote:
Originally Posted by casstony
Thanks Rowland. I'm aware that I can adjust the colour, but I'm curious why one set of optics is obviously more sensitive to red. I'm planning to eventually sell one of my refractors and if one gives better colour straight to the camera I might as well keep that scope. Good thing the NP didn't sell recently or I would not have seen the difference.
I'll try the FC100 with no reducer when I get a chance and that might shed some light.
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No worries. But it would be good to have all three channels aligned or nearly so and properly saturated.
If you separate the image into L R G B channels and combine only the R G B, the channels are more closely aligned... as in the image..
Interesting... I notice the brown effect when combining an additional L channel to an RGB image (to increase saturation while having better control over chroma noise).
EDIT: And on reflection, I have the same problem when using a reducer with my FS60CB, with a DSLR. But only with some images.
EDIT: Comparing stars between images, your brown image luminance is stronger than the red image. The only change to your set up is the addition of a reducer from what I can tell. So aperture is a factor..