Thanks everyone. It was fun and I'm looking forward to doing it again. The only other thing I need to do is get another controller. I was shooting the 20D through the Vixen at the same time but had to do it manually with the old fashion bulb type cable. (see question from Simon)
Simon:
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What were you using to control the 300D?
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I have a 20D controller that the cable had been cut in two and a 2.5mm socket and plug have been attached. I simply unplug the 20D end and plug the cable into the 300D. Works a treat. Plus the 20D end can be plugged onto the 300D bulb cable and used in an emergency (flat batteries or controller being used on the 300D)
Mike:
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Maybe next time leave the photos on the card so you can reduce/eliminate the gaps.
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They were written straight to card.

This is 300D technology were talking about here. Most of the gaps are my fault actually. I left a 20sec gap between images to help the chip cool down and not get amp glow in the bottom corner. I thought at 17mm FL I could get away with 20 sec. Obviously not.
Peter:
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What ISO setting did you use for this?
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ISO800 pete, and no darks. Next time I think I'll stop the lens down a bit more and eliminate some of the fainter stars. Should look more dramatic that way.
Dennis:
Yes Dennis, definitely darker than suburban Brisbane. You should visit one day and see for yourself.
Dave:
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i had the fastest memory card i could get for my camera, and managed to get the download down to 2 seconds
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While my card isn't the fastest its no slouch in the 20D. In the 300D though it's a different story. Next time I'm going to create a custom white balance during daylight with the modded 20D and then use that. It's got a relatively fast download plus I think it will buffer better than the 300D.
Jeanette:
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Did you have much trouble with dew?
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On everything but the lens. I had a 4" dew heater wrapped one and a half times round the barrel and the thousand oaks controller at full blast. It was the the only dry surface on the block.