ICEINSPACE
Moon Phase
CURRENT MOON
Waning Crescent 5.7%
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13-09-2011, 10:18 AM
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The serenity...
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Join Date: Mar 2011
Location: Canberra, Australia
Posts: 926
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Imaging the moon and processing with Registax
Hi all,
Well, I tried my first reall atempt at imaging the moon with my new webcam and then stacking it. I was a bit disappointed. The single frame images from the other night were better. I was using around 30 seconds of video. I have not much idea on the wavelet side. I expected a bit better... then it occurred to me... I was not using "Lunar" tracking rates on my mount. Would this help explain the poor quality?
Any tips on Registax would also be appreciated!
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13-09-2011, 10:27 AM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
Posts: 8,819
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In 30 seconds, I'd doubt you'd see a lot of difference in the different tracking rates. What camera are you using again, Grant?
If the quality is poor, it could be a few things. Focus & seeing usually being the two major contributors.
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13-09-2011, 10:28 AM
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Registered User
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Join Date: May 2009
Location: Para Hills, South Australia
Posts: 3,622
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I don't think it will matter that much as long as the subject is in the field of view, as Registax will compensate for the movement.
30 seconds may not be enough to get some decent frames from poor sky conditions.
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13-09-2011, 10:31 AM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
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13-09-2011, 11:08 AM
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Registered User
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Join Date: May 2011
Location: seneca falls,New York
Posts: 85
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Grant,
can you send me the avi and I will try processing it for you to see what I get? Send me a PM with a link to where you store the avi online and i will download it and play around with it
Carl
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13-09-2011, 11:46 AM
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The serenity...
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Join Date: Mar 2011
Location: Canberra, Australia
Posts: 926
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Wow! Thanks for the quick responses!
I am using a Phillips 880 flashed to 900. It is unmodded. The scope is a C9.25 SCT. No barlow or focal reducer (so focal length is 2350mm). I only roughly polar aligned (since it was a trial attempt), but it couldn't have been too bad since the two star alignment and calibration stars were close.
Conditions were ok, but the moon was near full so lunar contrast was minimal and, hence, focus wasn't the easiest. The moon was well up (since I have trees to the east).
I roughly followed the examples on the Registax site http://www.astronomie.be/registax/pr...singlerun.html
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13-09-2011, 11:50 AM
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The serenity...
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Join Date: Mar 2011
Location: Canberra, Australia
Posts: 926
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So for lunar, how long should I be looking at? 2 minutes?
How many of the "best frames" should I include? 10% of the total?
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13-09-2011, 11:56 AM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
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That's right, the flashed 880. I remember now. Yes, Shooting the moon when near full is certainly not the easiest. Even at prime focus on the 9.25 (2350mm) If everything like focus, scope close to ambient temp. the seeing etc. is not going your way, a low quality AVI will be the result. Are you using an IR/UV cut filter? It'll make shooting the moon a little bit easier.
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13-09-2011, 11:59 AM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
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Quote:
Originally Posted by Gem
So for lunar, how long should I be looking at? 2 minutes?
How many of the "best frames" should I include? 10% of the total?

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Shooting at 10FPS? If so I'd probably go for at least 3-4 mins. As far as stacking how many; my general rule of thumb would be if the seeing was 5/10, I'd want to stack 40-50% - That's just my version of what I think should happen though.
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13-09-2011, 12:15 PM
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The serenity...
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Join Date: Mar 2011
Location: Canberra, Australia
Posts: 926
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Thanks John!
I don't have a filter... just the straight camera and adapter. This is my first tentative step into imaging after many years of observing. I figure if I can get some experience using a simple camera and processing images, I can take the step of getting a "real" camera when next year's tax return comes back... 
On the plus side, a C9.25 on a CGEM is a great scope/mount combination... so any errors are 99% my fault if the images don't turn out!!
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13-09-2011, 12:17 PM
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The serenity...
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Join Date: Mar 2011
Location: Canberra, Australia
Posts: 926
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Forgot to add... the scope was fine temperature wise. I set it up outside around 17:00 and didn't try to image until 22:30.
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13-09-2011, 12:46 PM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
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Ok, well I reckon it's the lack of that filter that would be contributing to the quality. Even though the moon may be classified as virtually colourless, your camera doesn't like that idea much & won't concur. A rather soft image will be the result.
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13-09-2011, 03:12 PM
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Always on the road
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Join Date: Aug 2010
Location: Australind, WA
Posts: 891
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Quote:
Originally Posted by asimov
Ok, well I reckon it's the lack of that filter that would be contributing to the quality. Even though the moon may be classified as virtually colourless, your camera doesn't like that idea much & won't concur. A rather soft image will be the result.
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G'Day John! I have a 1.25" IR/UV filter but would you recommend I use the IR/UV filter on my DBK41 on the moon? I was imaging the moon the other night but this time through my 8"SN for the 1st time (F4) instead of my 80mm refractor (F6) and struggled. Mind you the atmosphere was quite unstable (worst I've seen in a while)
Good luck Grant - I think you're philosophy of sticking to the moon with a simple camera is a good one to fine tune some skills before you move onto the more expensive stuff. It's the path I took and it's allowed me to quickly get comfortable with my new acquisitions. Good luck mate!
Darrin...
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13-09-2011, 04:08 PM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
Posts: 8,819
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Yes Darrin, I would recommend imaging the moon with the filter. I've tried it myself with & without the filter & yep, much better with it on, mate. A mono camera such as the DMK (IE) needs no filter.
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13-09-2011, 04:12 PM
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Planet photographer
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Join Date: May 2005
Location: Bundaberg
Posts: 8,819
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BTW, a few years ago I made my own filter, particularly for the moon. it works similar to an IR pass and/or similar to an R filter by cutting through the seeing. Quite simply, it's a piece of colour film that has been processed in the lab, but not exposed. Works fantastic!
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