Quote:
Originally Posted by xelasnave
Way to go Bert. I would love one of those for wide fields. Very impressed.
alex
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You are all welcome to try it out when I get it all sorted.From the wide field you posted you have a darker sky than me, and your 'light' rig should easily carry it.
The whole point of getting this lens was for general use, because it was high quality, adaptable to most cameras as it's fully manual.My 300mm F2.8L is too valuable to me to use when ever there is a chance ie no moon and clear skies.
I still see Icemans words 'before we all rush out and buy expensive telephoto lenses etc' when I first posted that picture of Carina.This is my way of solving this problem.There is nothing like capturing your own pictures even with all the problems to overcome. Otherwise we would just look at Hubble pictures.
I have just used the experience of nearly forty years of playing with and looking at high quality lenses to track down this hidden gem.Unfortunately the FD version of this lens is difficult to convert for anything but use with an FD camera and they are rare.This lens is extremely rare especially in this condition. I consider it a bargain for what it is capable of.
These movie conversions were specially selected lenses off the production line so they are far better than average.I took the risk of it being as good as the seller said and won, as the sellers description was accurate.There are people who still have integrity and honesty.
The trouble with fluorite elements is if water vapour gets to them they can deteriorate (go cloudy).They are normally sealed in a nitrogen atmosphere.
What do I get out of this? The satisfaction of getting a very nice old lens and working out how to convert it so it produces images by many keen amateurs that could not or would not waste resources (money) on something so specialized. Especially after already spending the kitty on a decent telescope! Plus it keeps me sane, OK as sane as last week.
Bert