Thanks a lot guys. I'm really glad I managed to get a glimpse of it with the Sydney weather. I'll have to redo the video to slow down time on the last section when I did 10s subs. I used to know how to do timewarp and frame blending in AE. I forgot. This footage is already half the original speed.
Nice work, Marc!
Unusual but very cool perspective in the video with the stationary comet and moving landscape.
Cheers,
Alex
Thanks Alex. I had the polarie tracking with a 200mm lens because I wanted to be able to stack the subs as well and it was easier to manage them this way. It looks a bit like a bomb dropping doesn't it?
Well done on keeping a sequence going for the video. It's not easy to leave a camera alone to do its thing when you're photographing an event like this!
Thanks Greg. It's just a NEX-5. Not the newer model. I do all my levels and color balance in LR timelapse and Adobe Lightroom back and forth. When I'm happy with the colors and transitions I export the whole sequence to 16bit TIFFs. I stack the TIFF I want to make the stills and the comet tail. Then I use Adobe After Effect and Premiere Pro to export all the stills sequence to Vimeo.