Carlos,
Thank you for the compliment! The team was fantastic to work with. I look forward to doing more in the future in the studio.
Quote:
Originally Posted by ourkind
Stunning photo H!
Makeup, Accesories, Shadows and Tones all compliment the model really well. Her eyes are very soothing. Helmut Newton'esk style.
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Larry,
Cheers! This one looked great in colour, but, once I started converting it to monotone it really started to pop out. The tones looked amazing and so I went forward with it. Thanks!
Quote:
Originally Posted by Larryp
B&W images are even more stunning than the colour ones you posted previously, H!
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Bojan,
I haven't done any astrophotography with this lens, as 85mm is a bizarre focal length to photograph the sky at. I suspect it would be fine for spectroscopy. The only images I've made of the sky have been a 30 second star trail image in Milford Sound while I was in New Zealand a couple of years back.
I'm not sure what the edge/corner performance is like, but, this lens is acceptably sharp at f/1.8 and gets sharper once stopped down a stop or two. By f/7.1, I have found it is like a razor. I shot this image at f/16, so, there'll be diffraction effects softening the image, also, which isn't such a bad thing for female portraiture.
I do have an EQ3 lying about; once the Moon disappears, I'll have a quick go at taking a 30 second exposure around the Pleiades at f/1.8 for you.
lol @ the wife not allowing you near her!
Quote:
Originally Posted by bojan
Interesting..
Do you have a photo of some dense and bright star field (Pleiades, for example, with fully open iris)?
EDIT:
(BTW, my wife would allow me to even come close to her with that lens... )
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Adam,
Thanks, kind sir!
This one isn't clamshell lighting; it's straight up hard light from the beauty dish. I used to be all about the umbrellas and softboxes; nowadays, I can't get enough of the beauty dish. It has a hard look but is soft at the same time. Delicious!
The catchlight in the bottom of the eye is a reflector to bounce a little bit of light back into the face. I also used black reflectors to give some edge definition on the face.
I have done clamshell before and it is beautiful, but, I really wanted to shoot the diffused beauty dish on this shoot. I've just ordered a 10 degree grid to direct the light even further and to prevent spill. I like my backgrounds tending to black or a dark grey. Even at f/16, and the Profoto on its lowest power setting, the background lights up too much. The grid will help contain the spill.
Quote:
Originally Posted by adman
Beuatiful H.
Is that a clamshell type lighting setup - one high, one low and shoot through the middle?
Adam
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Thanks all for looking and commenting. I've got some more I'm slowly making my way through from this shoot. I've also got some other models/teams I'll be working with in the next few weeks for a constant supply of images and fun.
H