Quote:
Originally Posted by DavidTrap
I don't think the 14-24 is the ideal beast for panos - too much curvature. I've had good results with the 24-70, especially if I turn it portrait orientation and pay attention to keeping the camera pointing level to the horizon.
I saw an amazing vertical pano done with a 50mm lens at a workshop. He shot it at f8 or 11, started shooting at his feet, and worked his way up to the sky. He was standing on a cliff, looking down to the water, across a bay and up the shore on the other side. He refocused for each shot and the depth of field at f8/11 meant the image stitched together very well. The resulting distortion was far less than I expected.
DT
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I usually use the 24-70 and it works lovely. As you say portrait orientation helps as sometimes sky shots if they don't have any land in it won't stitch easily automatically.
I have a couple of 50mm lenses. I should try it out.
Greg.
Quote:
Originally Posted by trent_julie
That's a wonderful shot!
Trent
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Thanks for that.