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those seeings sound about right for the unsharp mask to me... but as Mike stated in the processing guide, its a bit of a dark art, much like wavelets. I generally sit at the unsharp mask controls for 20mins trying to find what works best on each image depending on its own merits.
Wavelet manipulation for me involves using mike's 'mild' settings in registax, then having a little bit of a fiddle up and down a bit on 3, 4 and 5, again, to the individual images' own merits.
Persistance is the key with processing.. I've found the longer I spend in processing, the happier i usually am with the end result.
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