Quote:
Originally Posted by alpal
Hi Paul - that's correct - I was just interested
in what they looked like:
the noise level of the dark frames,
the illumination of the camera sensor.
cheers
Allan
|
Allan (and anyone else who is interested). I've stuck some images here:
https://drive.google.com/drive/folde...la?usp=sharing
(actually, they're busy uploading as I type - since I'm on cable my upload speed is sloooow!
)
They are LRGB masters, LRGB flats and 60 and 180s darks (all the final stacked masters). The calibration frames are just FYI as the LRGB data is already corrected and stacked.
Note that the RGB masters are cropped (aligned to a cropped partly-processed version of the L master) and so are not the same geometry as the L master.
Also note that, as I said, this was an experiment to see what a lot of bad data could do. As such, I think it is essentially bad data - partly because some of it was captured at poor FWHM, but also because, as Mike and Lee suggested, there's more "work" needed on such data regardless of the theoretical SNR.
I've still to do another L stack with just the good data to get better resolution in the centre, as Colin suggested. I might put that up too when it's done.
Have fun ... and if you get a good result, please let me see (and let me know what you did to get it!).
Thanks,
Paul