Eclipse Retrospective

[Peter Ward]

Hard to believe it's been a year since last year's USA solar eclipse.

I re-worked and combined, not one, but two (literally award winning ) images for this composite.

Hope you enjoy the view!

[OzEclipse (Joe Cali)]

Peter,

Stunning composite!

Beautiful mate.

Joe

[nebulosity. (Jo)]

Now that's amazing, what an incredible view.

Well done on the superb capture and skilful editing that displays the special event so well.

Cheers
Jo

[Saturnine (Jeff)]

That is a lovely detailed composite image, sums up what an total solar eclipse is all about as an visual treat. Looking forward to the great Sydney eclipse in 10 years time.

[Retrograde (Pete)]

Stunning image(s) Peter. Congratulations on your awards.

[Phil Hart]

It's a great result Peter. I think the bright ring you have around the Moon adds well to the dynamic range of the image.. and presumably appealed to some judges too. Corona images can look a little flat when the inner corona is compressed to reveal prominences.

Would love to hear a little more about your processing steps, particularly what you're using for the HDR. I've been over-complicating it and now can't get a decent result .

I can *fully* appreciate how satisfying it is to have these eclipse expedition images in ones collection

Phil

[Peter Ward]

Originally Posted by philiphart

It's a great result Peter. I think the bright ring you have around the Moon adds well to the dynamic range of the image.. and presumably appealed to some judges too. Corona images can look a little flat when the inner corona is compressed to reveal prominences.

Would love to hear a little more about your processing steps, particularly what you're using for the HDR. I've been over-complicating it and now can't get a decent result .

I can *fully* appreciate how satisfying it is to have these eclipse expedition images in ones collection

Phil

Ta Phil.

While it would too complex to step through here, I don't use HDR software.

I pre-stack similar images to reduce the noise, then using up to a dozen or so layers in Photoshop, selectively mask sections corona down toward the photosphere. Once the composite looks good I'll flatten it and use a little high pass filtering to bring out the delicate stuff.

P.S.
A little bit more is here
https://medium.com/@jamieacarter/how...g-8d75f76f0801