Quote:
Originally Posted by RB
Not necessarily, you'd be surprised the difference it makes to the final image.
Try it first before forming an opinion, temp differentials in darks causes horrible black dots everywhere in the image.
The closer your darks are in temp to your lights the better.
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Interesting .... so from experience .... how many "lights" can you get away between "darks" and still get good noiseless stacked images post processing using a 40D ?
How does this change with exposure length (of each "light" / "dark") ? with effective speed (ISO) ?
I know I have a lot to learn about this digital imaging "black witchcraft". Film imaging was heaps simpler .... you took the battery out , aimed , focused , set the camera to manual , and pressed the T button (if you had one) or the pressed the B button and locked the cable to down until you were ready end the exposure , at the end of the session or roll of film , you took the roll out and gave it to photolab to process and print .... nice !!!