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Nothing special, 48 lights, a master dark made up from 100 darks, a master flat with a good dark flat (100 frames again) and 50 flats from the flat panel.
Settings wise in APP, normal mode normalisation, and integration is by average with adaptive LN rejection filter, 2nd degree LNC and 5 iterations (I think it stopped at four) and integration type set to the normal "Interpolation" mode. Much of the detail was brought out by Nik tools using COlour effex 4 with the tonal contract filter. It is one of those things as has been discussed elsewhere, you could bring this level of detail out yourself but it would be a lot more work step by step. It still needs a judicious hand setting it up whithin Nik filters or you just end up with a noisy contrasty mess.
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